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Well, that's a, ahem, tribute to one of Gillian's photographic works: 1993's Signs that say what you want them to say and not signs that say what someone else wants you to say. b. Basically, Gillian undertook the project to demonstrate that if you approached a bunch of strangers on the street and asked them to share their thoughts, each one of them would have something interesting and unique to say. Wearing explained that the tacit collaboration between photographer and subject in this work "interrupts the logic of photo-documentary and snapshot photography by the subject's clear collusion and engineering of their own representation" (quoted in Signs that say what you want them to say and not Signs that say what someone else wants you to say 1992-1993, London, 1997). Gillian Wearing OBE born 1963 from Signs that Say What You Want Them To Say and Not Signs that Say What Someone Else Wants You To Say, 'I signed on and they would not give me nothing' 1992-3 Gillian Wearing, Signs that say what you want them to say and not Signs that say what someone else wants you to say 1992–1993, London 1997. Like all of Wearing’s work, the portraits in this series convey the startling, unsettling divide between one’s outside appearance and innermost self. Signs that say what you want them to say and not Signs that say what someone else wants you to say. Your email address will not be published. Signs that say what you want them to say and not Signs that say what someone else wants you to say (1992–1993) In her piece Signs that say what you want them to say and not Signs that say what someone else wants you to say (1992–1993), Wearing made a series of portraits where she approaches strangers that she encounters on the street and asks them to write what they are thinking about on a white sheet … Signs That Say What You Want Them to Say and Not Signs That Say What Someone Else Wants You to Say. To create it, Gillian confronted a number of strangers and individuals and asked them to write their opinions and thoughts on blank cards/signs before photographing the participants holding the signs. An advert – Confess All On Video. C-print. Gillian Wearing : signs that say what you want them to say and not signs that say what someone else wants you to say, 1992-1993. experimentalprocess2014:. Because Gillian confronted a series of strangers to create Signs, the opinions that she received were brutally honest and real, and even funny in some instances. Sacha Craddock, Spotlight on Gillian Wearing, exhibition catalogue, South Bank Centre, London 1999. Who was Tsang Tsou Choi, the King of Kowloon? [Gillian Wearing; Maureen O Paley] Get this from a library! Gillian Wearing & Claude Cahun: Behind the mask another mask, National Portrait Gallery, London, UK 2017. © the artist, courtesy Maureen Paley, London. View Signs that say what you want them to say and not signs that say what someone else wants you to say by Gillian Wearing sold at Contemporary Art Part II on 9 November 2010 New York. British artist Gillian Wearing, winner of the 1997 Turner Prize, uses phot... Gillian Wearing book. From one of her early projects, a series of 600-odd photographs called Signs That Say What You Want Them to Say and Not Signs That Say What Someone Else Wants You to Say, in which she asked members of the public to spill their innermost secrets on cardboard signs, to her most recent … Among her most famous works is Signs That Say What You Want Them to Say and Not Signs That Say What Someone Else Wants You to Say (1992–93), for which she stopped hundreds of passersby in London, invited them to write whatever they wished on a white card, and photographed them. This is especially notable in her series of work Signs that Say What You Want Them To Say and Not Signs that Say What Someone Else Wants You To Say (1992-1993), in which the artist confronted strangers and asked them write what they were thinking, then photographed them holding the sign. Limited edition of 1500 copies. To create it, Gillian confronted a number of strangers and individuals and asked them to write their opinions and thoughts on blank cards/signs before photographing the participants holding the signs. 1963. Like all of Wearing’s work, the portraits in this series convey the startling, unsettling divide between one’s outside … After pursuing art for a few years, she applied to the Goldsmiths, the University of London where she studied art education. Her inability to express herself and voice her opinions plays a major role in her work. A small artist-run gallery called City Racing in London hosted her first solo exhibition in 1993, and in 1997 Wearing received… Gillian Wearing deals regularly in the kind of intimacy that many among us share only with our dentists. Inspired by documentaries, reality television, and the artifice of theater, Wearing describes her approach as “editing life.” She turns her lens on herself and on people she meets, whether on the street or through advertisements she has placed in newspapers. Born in Birmingham, United Kingdom, Gillian was not always as outspoken as is she is as an artist as a young girl. Santiago Serra's Tattoo Lines - Paying prostitutes with drugs (SFW), The story behind Roy Lichtenstein's Happy Tears pop art painting, Noh Suntag in North Korea - This spectacle involves 100,000 participants, Banksy's Rage, The Flower Thrower - Everything you need to know, Keith Arnatt's Self Burial - Watch this artist disappear, Cao Fei's Cosplayers & the power of costumes, Ron Mueck's Couple Under An Umbrella sculpture tells the story of love, Maurice Agis' Dreamspace tragically killed two people - This is why. Octavo. Her big break came when she won the Turner Prize in 1997 for her 2 films titled Sacha And Mum1, 1996 and 60 Minutes Silence2, 1996. Signs, also known as Signs that Say What You Want Them to Say and Not Signs that Say What Someone Else Wants You to Say, was done between 1992 and 1993. All images by Gillian Wearing unless otherwise noted. Among her most famous works is Signs That Say What You Want Them to Say and Not Signs That Say What Someone Else Wants You to Say (1992–93), for which she stopped hundreds of passersby in London, invited them to write whatever they wished on a white card, and photographed them. Gillian Wearing is a British artist who uses photographs and videos to focuses on capturing the self awareness of the subjects that she’s using rather the aesthetic. Your email address will not be published. GILLIAN WEARING. Gillian Wearing was born in 1963 in Birmingham, United Kingdom. Donna De Salvo, Russell Ferguson, John Slyce, Gillian Wearing, London 1999. Other highlights include Wearing’s iconic 1992 series, Signs that say what you want them to say, and not Signs that say what someone else wants you to say where strangers are offered paper and pen to communicate their message. GILLIAN WEARING (B. In Wearing's hands, … C-type print. Gillian Wearing, Signs that say what you want them to say and not Signs that say what someone else wants you to say, ” 1992-3. In Signs that say what you want them to say and not Signs that say what someone else wants you to say, Wearing photographed over 500 strangers that she met on the streets of London, asking each to write on a sheet of paper whatever was on their minds. In total, Gillian interviewed and photographed over 500 participants that she had encountered in the streets of London. Standing in a busy area of South London, photographer Gillian Wearing stopped passers-by and asked them to write down what was on their mind. Signs that say what you want and not Signs that say what someone else wants you to say. C-type print. Turner Prize-winner Gillian Wearing produces candid videos and photographs revealing the disconnect between our inner lives and public personas, the individual and society, and truth and fiction. Though Gillian Wearing doesn’t re-enact the work of a scientist to make art, arguably she does nonetheless take on another role: that of the confessor. London: Maureen Paley / Interim Art, 1997. This is especially notable in her series of work Signs that Say What You Want Them To Say and Not Signs that Say What Someone Else Wants You To Say (1992-1993), in which the artist confronted strangers and asked them write what they were … 54½ x … First Edition. It was not Wearing's first venture into photography but … Read reviews from world’s largest community for readers. Gillian Wearing, Signs that say what you want them to say and not Signs that say what someone else wants you to say, ” 1992-3. Please join us on Pinterest, YouTube or Instagram. From Signs that say what you want them to say not Signs that say what someone else wants you to say (1992-1993) by Gillian Wearing “I was quite shy when I first started that project and I couldn’t approach anyone – or I thought I couldn’t anyway,” she tells curator Donna De Salvo in our Gillian Wearing … Courtesy: Maureen Paley, London; Regen Projects, Los Angeles; Tanya Bonakdar Gallery, New York. © the artist, courtesy Maureen Paley, London. See more ideas about british artist, how to wear, human condition. Gillian Wearing, Signs that say what you want them to say and not signs that say what someone else wants you to say (Help) and (I’m desperate), 1992-3. ... Signs that say what you want them to say and not Signs that say what someone else wants you to say (I'M DESPERATE) c-type prints mounted on aluminium 44.5 x 29.7 cm 1992 – 3. ), 1992–1993. Required fields are marked *. 1963) Signs that say what you want them to say and not Signs that say what someone else wants you to say (Queer and Happy), 1992–1993 chromogenic print, flush-mounted on aluminum credited, titled, dated and numbered on affixed gallery labels (flush mount, verso) image/sheet/flush mount: 16 1/2 x 11 3/4 in. Gillian Wearing 10 Nov 2018 — 12 May 2019 at Firstsite in Colchester, United Kingdom Oct 1, 2018 - Explore T's board "Gillian Wearing" on Pinterest. Wearing's classic street / documentary photography subversion, with strangers asked to write on a blank sheet of paper. Gillian Wearing, Signs that say what you want them to say and not Signs that say what someone else wants you to say, 1992-3 Gillian Wearing first attracted public acclaim when she exhibited this series of photographs at City Racing, a small artist-run gallery in London in 1993. Private lines: Gillian Wearing's signs – in pictures 0 The artist's photographs and films exploring the public and private lives of ordinary people – … Turner Prize-winner Gillian Wearing produces candid videos and photographs revealing the disconnect between our inner lives and public personas, the individual and society, and truth and fiction. Largely influenced by reality television, the pretense of theatre, as well as documentaries, Gillian primarily features herself as well as the people she encounters in day to day life, whether on the street or through ads that she places in newspapers, as the subjects of her work. It was not Wearing's first … Although there were a number of individuals that did not respond favorably, Gillian was surprised, and pleasantly so, by the number of people that were willing to participate. chromogenic print, flush-mounted. Her works also highlight the disconnect between individuals and their societies, as well as the thin line that exists between truth and fiction. Limited-Edition Prints by Leading Artists, Other works from Gillian Wearing - Family Stories, Self Portrait as My Brother Richard Wearing, 2003, Self Portrait as My Father Brian Wearing, 2003, Self Portrait as My Mother Jean Gregory, 2003, Courage Calls to Courage Everywhere, 2018, Self Portrait as My Grandfather George Gregory, 2006, My Mother's Cupboards and My Father's Words (06), 1999, Found Monochrome 19, Islington, London 01.05.99, 1999, Carla Bruni Smoking, Vogue Hommes, Paris, 1994, © Gillian Wearing. (41.8 x 29.8 cm.) As Wearing dared to push the boundaries of the divides in society her latter use masks and costume start a narrative with reality which discovers that we are more a-like than we think. In 1993 she began the acclaimed series 'Signs that say what you want them to say and not Signs that say what someone else wants them ...more. Gillian Wearing, Signs that say what you want them to say and not Signs that say what someone else wants you to say (I'm Desperate), 1992-3 SIGNS THAT SAY WHAT YOU WANT THEM TO SAY AND NOT SIGNS THAT SAY WHAT SOMEONE ELSE WANTS YOU TO SAY (QUEER AND HAPPY) framed, James Cohan Gallery, New York, and Maureen Paley labels on the reverse. Gillian Wearing, Signs that say what you want them to say and not Signs that say what someone else wants you to say (I’m Desperate! Signs that say what you want them to say and not Signs that say what someone else wants you to say (1992-1993) In Signs that say what you want them to say and not Signs that say what someone else wants you to say, Wearing photographed over 500 strangers that she met on the streets of London, asking each to write on a sheet of paper whatever was on their minds. Gillian interviewed over 500 participants, Video: Curator introduction to Gillian Wearing. Born in Birmingham in 1963, Gillian Wearing moved to London in 1983 to study art at the Chelsea School of Art and Goldsmiths College. The project did a great job of celebrating the nuances and idiosyncrasies that make individuals who they really are. Signs, also known as Signs that Say What You Want Them to Say and Not Signs that Say What Someone Else Wants You to Say, was done between 1992 and 1993. We would love to keep the conversation going. Get A Copy. ‘Signs that Say What You Want Them To Say and Not Signs that Say What Someone Else Wants You To Say’, Gillian Wearing CBE, 1992–3 Gillian Wearing - I love the big willie - Signs that say what you want them to say and not signs that say what someone else wants you to say, 1992/3 | Phillips The Collection of Lewis Kaplan 29 June 2008, 3pm The subjects, as the artist says, engineer their own representation, to sometimes hilarious, sometimes serious effect. In the upper galleries we enter the inner world of subjectivity. Though this project was not her first photographic venture, it was the first time that she featured complete strangers as her subject matter. Learn more about the piece and artist, and its final selling price With … 48 x … With this project, Gillian was hoping to prove the stereotype that British people are typically cold and unapproachable. 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